Imam Munajat Nurhartonosuro, Shamsul Bahri Md Tamrin, Dayana Hazwani Mohd Suadi Nata, Karmegam Karuppiah, Ng Yee Guan, Gede Pramudya Ananta
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Stephen T.F. Poon
Integrated Sustainability & Urban Creativity Centre, Asia Pacific University of Technology & Innovation, Malaysia
Page 70 – 80 | Vol. 7 No. 2 2022 | Available online on 30 Dec 2022
Abstract
This article considers the application of the principles of ergonomics in examining contemporary furniture design. The study probes how aesthetics and ergonomics have shifted design thinking from the previous century. The objective of research is to examine user experience and how these are translated into appeals based on understanding anthropometric values of comfort and functionality. Some issues of aesthetics will be highlighted through two case studies of chair designs. The aim is to critique the importance of relationships between aesthetics, ergonomics, and user experience, through assessments of anthropometric values such as comfort and posture, against visual characteristics. Findings indicate that chair design solutions must prioritise ergonomics in achieving the goals of commercial design. This should not mean sacrificing aesthetics, but an integrated approach that applies human-centred design principles whereby consumer perceptions of design comfort are as important as visual aesthetics.
Keywords
Aesthetics, Anthropometrics, Ergonomics, Furniture Design, User Experience
Acknowledgement
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© 2022 Human Factors and Ergonomics Society (HFEM). All rights reserved.
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Human Factors & Ergonomics Journal (HFEJ), eISSN: 2590-3705 is the official Journal of Human Factors and Ergonomics Society Malaysia. The journal is published on a biannual basis. HFEJ aims to address current research in the field of Ergonomics in addition to the broad coverage of cognitive ergonomics, user experience, physical ergonomics and others such as transportation, industrial design and industrial engineering. HFEJ is a member of, and subscribes to the principles of the COPE (Committee on Publication Ethics), as such we only accept original work.